They decided to steal as much gold from the brothel as they could carry. She once teamed up with a fellow prostitute girl she trusted and decided to call Indigo (based on the color of her eyes). Her mother sold her off when she was a child to prostitution. She accepted long ago that she was an unwanted child and a bothersome pest to her mother's livelihood. Zero reasoned that her mother was only raising her in the only way she knew and didn't blame her mother for her cruelty. Her mother would whip her back constantly until she lost all sensations on it.

Her oldest memory is her abusive mother yelling at her.

Zero is a nickname she has no real given name. It sounded like NieR sometimes and it sounded like past DOD games sometimes.Zero - A Rain to End and a Flower to Begin I can't say I ever felt like DOD3's OST was consistent. Even when there are deviations from the typical music, it still feels like it all belongs to the same album. In the end, both games have OSTs that create one solid and consistent sound. Is it electric rock? Experimental orchestra? Gregorian-esque? Transformational ballads? Of course, it's all of that but it never comes together to feel like one product.Ĭonversely, NieR Gestalt/Replicant really blows any other OST out of the water, though, and NieR Automata is just as beautiful but not as perfect as NieR Gestalt/Replicant. It's frantic which matches the Drakengard/Drag-On Dragoon series but it also means that the OST doesn't know what it is.

Overall, though? It's a very weak OST brought down by the lack of cohesion. There are definitely some amazing stand-outs in DOD3 like Kuroi Uta, Final Song, This Silence is Mine, Descendeus, Aethervox, and of course the iconic Exhausted.

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